Avec le soutien :
Reinaldo « Flecha » Delgado
This course relates to the various rhythms and songs of the culture Cuban Negro primarily those dedicated to the worship of the “Orishas”
NEW COURSE
Cali Flores
The course aims to teach Afro-Peruvian percussion instruments and rhythms, focusing primarily on the cajón, while covering the basic forms of the main Afro-Peruvian rhythms—such as the festejo, the landó, and the marinera—which emerged among the African immigrant population in Peru beginning in the 17th century and have evolved to the present day.
NEW WORKSHOP
Cali Flores & Sergio Valdeos
This group workshop offers a fun, dynamic, and hands-on introduction to the Afro repertoire of the Peruvian coast. Through group work, participants will explore the distinctive features of several traditional genres and the different ways to perform them.
Luanda Mori
These classes are for those who wish to experiment with a particular approach to dance inspired by Afro-Brazilian culture, in all its symbolic richness and dynamism.
Dominique Rey
This class will explore the language of contemporary African dance, its energy and rhythms.
From 4 years
Dominique Rey
This introductory dance class aims to explore the different possibilities of a body in movement by linking it to natural elements such as water, fire, earth – the elements form the common thread.
Next courses 2026-2027 : October 3–4, December 5–6, February 13–14, April 3–4
Fouad Didi
These monthly courses are for musicians from all backgrounds mastering one of the following instruments: Violin, cello, oud, guitar, mandolin, qanun, flute, clarinet, ney, derbouka, daf, bendir, etc.
ONE-ON-ONE LESSONS
Yousra Dhahbi - Private Lessons
Discover Arabic music through the oud, the voice, and improvisation in a one-on-one class based on a genuine, time-honored oral tradition with Yousra Dhahbi—a fluid approach focused on natural immersion and “passive” listening.
Dates : September 12–13 October 24–25 November 14–15 December 19–20 January 23–24 February 13–14 March 13–14 April 10–11 May 8–9 June 12–13
Habib Yammine
This monthly workshop focuses on arabic vocals and will be accompanied on percussion by Habib Yammine.
Weekly group classes, private lessons upon request, introductory classes, and monthly “Práctica La Ginebrina” sessions.
Claire Rufenacht
These workshops invite participants to explore the many facets of tango, bringing together the body, music, and the history of tango. They are designed for both beginners and experienced dancers.
NEW COURSE
María de la Paz
I invite you to join me on a musical journey exploring tango singing and Argentine folklore, where the body is treated as the true instrument: through a refined awareness of breathing, posture, and energy, the voice can be set free and find its authenticity—without tension and with the joy of singing.
NEW WORKSHOP
Daniel Renzi
This workshop offers participants the opportunity to revisit Andalusian flamenco and folk songs (such as the sevillana and the villancicos) as well as “aflamencado” songs from other repertoires by rearranging them in a polyphonic style and incorporating body percussion and instrumental percussion.
NEW COURSE
Gofefo Konaté
The balafon is a very accessible instrument that can be played both in a group and as a solo instrument. Similar to the ostinatos in classical music, it allows you to play rhythmic patterns — whether simple or very complex — in a repetitive manner.
Sinah Ni Nyoman Tordjman
By teaching the basic techniques and movements of these graceful dances, Sinah Tordjman opens up an incredibly rich cultural and artistic universe for discovery. She is a renowned artist who is passionate about the transmission of this unique patrimony.
NEW WORKSHOP
Alex Jeanson
A proliferating multiplication of a single element, the repetition of overlapping or successive motifs—the multiple reduced to the singular—the singular articulated in multiple forms. It is this aesthetic that the workshop invites you to discover through music, using an instrument called the gamelan.
Prochaines dates 2026 : 15.09, 06.10, 10.11, 15.12 / 2027 : 12.01, 16.02, 16.03, 13.04, 04.05, 15.06
Victor Hugo Villena
Le bandonéon est un instrument polyphonique qui permet également des polyrythmies avec un jeu des mains indépendantes. Par conséquent, les possibilités harmoniques, de timbre, de vibratos, d’articulations et de dynamiques deviennent immenses.
Sujatha Venkatesh
Bharat Natyam is the most ancient style of traditional dance in India. It is a difficult and complex dance, in which each movement of the body (abhinaya) and each hand gesture (mudra) holds symbolic meaning. What appears to be so fluid, graceful and easy demands lengthy training and daily practice.
Maya Quiminal
This 2 classes focuses on two dances: One is dedicated to Bollywood dances and one to all the dances from East Orient.
NEW COURSE
Sergio Valdeos
Come discover choro, samba, and bossa nova through the guitar! This course delves into guitar techniques for accompanying these well-known Brazilian rhythms through a fun and educational repertoire.
Dates for 2026: September 5 and 26, October 10 and 31, November 7 and 28, December 12; 2027: January 16 and 30, February 6 and 27, March 6 and 20, April 17 and 24, May 15 and 29, June 5 and 19
Maud Brulhart & Daniel Renzi
The goal of this workshop is to learn the basics of the bulería, to have fun dancing, and to get a simple introduction to improvisation.
Dimitar Bogdanov
The specific rhythms including asymmetrical measures (5/8, 7/8. 9/8, etc.) and the variety of melodies and dances appeal to the diverse audience.
Mestre Braga
Capoeira is a game of movements that retell this part of Brazilian history through physical expression and song, which is accompanied by the famous musical arc known as the berimbau.
Lakshmy Natarajan
Carnatic music is considered one of the most ancient music systems in the world. It is a learned music that is full of emotion and involves a lot of improvisation.
Françoise Atlan
Approach the sung repertoire of the poetic and musical world of the Sephardic tradition, compared to the Arabo-Andalusian repertoire, both emblematic of the "Al Andalous" period.
NEW GROUP WORKSHOP
Yousra Dhahbi
This workshop, which focuses on oral transmission and is open to students of all levels—whether they are Arabic speakers or not—invites you to discover a vocal repertoire from the Arab world that spans different styles and eras.
Aïcha Redouane
Aïcha Redouane’s songs express the spiritual development of a path of love and light.
NEW COURSE
Sébastien Lacroix
These North Indian music courses teach students about the system of musical modes known as ragas, as well as the techniques and repertoire of specific instruments such as the sitar, surbahar, esraj, and dilruba.
NEW COURSE
Daniel Renzi
This course is designed for students of flamenco dance who wish to deepen their knowledge and understanding of the codes and language shared by dance, song, and guitar.
Tristan Morelli
The oral tradition of Corsican vocal polyphony is wide open to expression through its various forms. The rawness and vitality of these songs take you on a journey to the depths of an often underappreciated Corsica, which is as mountainous as it is welcoming, as astonishing as it is generous.
New program
With Mariya Khan
These dances belong to several distinct categories: work dances, ritual dances, military dances and women's traditional dances. Attention is drawn to the upper part of the body: the head, the movements of the arms and hands, as well as the dancer's facial expression.
Milena ColAfro
Chaleureuses, conviviales, les danses colombiennes sont un moyen d'expression corporelle et une façon de pénétrer un autre monde. La salsa et la cumbia sont deux des styles les plus connus.
Carlos Machava
Come explore the traditional dances of Mozambique, a country with a rich culture of dance. In Mozambican dance, the rhythm comes first, and the movement of the body is then expressed. The dance is dynamic, rhythmic and joyful.
Namrata Dentan
Dhrupad is the oldest surviving classical musical tradition in North India. The accuracy of the voice of sound frequencies and micro-tones are the essence of Dhrupad.
Private or video lessons on request
VIVIAN' ADAYA
Viviana sees Oriental dance as a unifying force in its traditional form, because it touches upon one’s deepest being. The dance remains both sacred and feminine for her. She recognises the therapeutic powers of dance and it is with this in mind that she transmits her knowledge.
Ana La China
Flamenco is a very structured art form that involves footwork, arm movements and synchronisation.
Michelle Gagnaux
Classes offer insight into flamenco through rhythm and movement. They are based on warm-ups, feet techniques and arm movements, as well as rhythmic exercises using palmas and other percussion mediums. Linked steps are also taught at a level adapted to the children.
Children and Adolescents - From 8 years
Maud Brulhart
Maud has been teaching flamenco dance to children from the age of 8 through to 16 for several years now and caters to different levels of ability.
Daniel Renzi
Anyone from 7 to 107 years old can learn to play the flamenco guitar—even beginners!
For beginners, learning the instrument starts with simplified melodic and rhythmic patterns, as well as a set of exercises.
NEW COURSE
Naomi Guerrero
An introduction to flamenco rhythm and movement. This class will help you engage every part of your body: from footwork to hip movement, from opening the chest to maintaining proper arm posture, from controlling your wrists and hands to holding your head high.
Manuel Castan
1 workshop for different approaches to developing flamenco practice.
NEW COURSE
Olga Fiaes
Through this course on Eastern European Gypsy dances, Olga Fiaes invites participants to experience a powerful and joyful form of physical expression
Pat la Gadji
This is an intense dance with a pronounced feminine character, which calls on participants to dare to stomp their feet, to frown, to shake the shoulders, twirl their skirts, sway their hips and express what pleases us.
Bijayshree Samal
Indian Classical Music is so rich that every human emotion, every restrained feeling in man and nature can be musically expressed and experienced.
Paco Chambi
Paco Chambi teaches guitar classes based on the Latin American music tradition (classical and popular), but also teaches other repertoires according to the interests and requests of the students.
Khalil Bensid
Gnawa music originated in the Maghreb from the cultural practices that Black African slaves brought with them. It is called Gnawa in Morocco, Diwan in Algeria, and Stambali in Tunisia and Libya.
Shahab Eghbali
While the Daf is a large, framed drum, used to accompany Iran’s Kurdish music, it is also widely played across the Middle East and in Central Asia.
Hossein Rad
Conçu pour tous les niveaux, ce cours vous fera découvrir le vaste répertoire du chant classique iranien, allant des chants lyriques (du XVIIe au XXe siècle) aux chants non rythmiques et aux improvisations modales (avaz).
Sogol Mirzaei
This class offers training in traditional Persian music through introductory or advanced practice of two of its principal instruments: the târ and setâr lutes.
NEW COURSE
Ava Arehsazan
The oud, historically known as the barbat in Iran, has deep roots in Persian musical culture and plays an important role in the region’s musical history. Persian musical traditions have also had a significant influence on the development of modal systems and musical vocabulary in neighboring cultures.
NEW COURSE
Ahmad Mohammadian
This course invites you to discover the kamantche, an iconic instrument of traditional Persian music. Open to both beginners and those with prior musical experience, it offers instruction tailored to each student’s background, pace, and interests.
Priscilla Gauri
Kathak classes begin with learning and practicing foot rhythms (tatkar), as well as the vocabulary of synchronised body movements, then diverse choreographies, rhythmic sequences, as well as invocations to the hindu gods (Bandana).
Meera - Fanny Marquet
In this all-levels class, you will learn or train the technical basics of Kathak dance, while learning about the culture in which it was born. You will become familiar with the gods and goddesses, Krishna, Durga or Shiva, while improving your balance and the precision of your movements with foot strikes and pirouettes. A trip to India guaranteed!
Sankoum Cissokho
The traditional kora belongs to the African harp family off Mandinka origin. Its resonance box consists of cow skin stretched over a half gourd. 21 strings made of animal innards are attached to a long stick that stretches the length of this gourd.
Redouane Haribe
Without doubt, the oud is the string instrument par excellence of traditional Arab music, both sacred and popular. It is also present in the diverse musical genres of Turkey, Greece, Caucasia and Central Asia.
NEW CLASS: SEMAH DANCE
Ozan Cagdas
The traditions of the ashik, the Anatolian bards whose names mean 'in love', go back to the Middle Ages. Today, this tradition is maintained by professional musicians, poets and performers who accompany their songs with various long-necked lutes: saz, divan, cura, selpe.
Nicolas Delaigue
These courses propose a discovery and learning of the repertoire and musical forms of Hindustani music, which will interest all musicians and composers whatever their aesthetic and instrument.
Massimo Laguardia
Nicuzza, en langue sicilienne, signifie Piccolina, terme qui donne le sens de cet atelier, qui a pour but rapprocher les élèves à l’interprétation et à la mise en musique de chants traditionnels et modernes.
NEW COURSE
Barzan Yassin
Oriental violin classes are designed to provide comprehensive and authentic training in this specific musical tradition, catering to students of all ages, from beginners to professionals.
Thomas Loopuyt
Turkish classical music features a large number of makam, or melodic modes, on the one hand, and a variety of rhythmic cycles on the other. The practice of usûl is a method that involves physically performing these rhythms while singing the melody, with the goal of systematically memorizing themes and songs.
Alexis Weisgerber
Pakhawaj Workshop:
The pakhawaj is the precursor to the tabla, the iconic instrument of North India.
North Indian Rhythm Workshop:
We’ll take a playful approach to exploring all the elements that make up the rich rhythmic system of North India.
Sepideh Nayemi
The aims of this course include discovering and developing natural grace, learning to express yourself freely in movement and enjoying dancing to the subtle rhythms and melodies of traditional Persian music.
Gladys Ybargüen
Peruvian dance is the result of several vibrant cultural encounters; Incan, Spanish and African traditions have all combined and this melange has ripened over the centuries.
2 WORKSHOPS: les Aoédé et les Chaga
Sylvie Zahnd
The Chaga, a workshop based on the same system as the Aoédé.
Les Aoédé is a small group of women brought together by the desire to explore and blend their voices in a friendly and benevolent atmosphere.
Anass Habib
This course is presented as a grand musical tour where experienced singers, participants with knowledge of music theory and music lovers will set out together to discover a repertoire rich in history.
NEW WORKSHOP
Sergio Valdeos
This workshop offers instruction in Brazilian choro through an instructional repertoire tailored to the voice and all instruments.
NEW CLASS & Group class around the Afghan repertoire coming soon
Mathieu Clavel
Of Pashtun origin, the rubab (or rabab, robab) with its unique sounds is an instrument of choice in this area to accompany Sufi poems and popular songs.
UPCOMING DATES: October 31 – December 12 – January 9 – February 20 – April 3
Regula Büchler
Created to any style of music and from different traditions, Sacred Circle Dance invites us to celebrate life in all its richness. To dance, you don’t need any prior knowledge or a partner. There is no age limit.
WORKSHOP
Frank Kane
The Republic of Georgia has a rich and varied tradition of polyphonic singing that is at least 1000 years old. The folk songs are an oral tradition and include genres such as work songs, wedding songs and healing songs.
Regular Workshops
Clotilde Rullaud
These regular workshops are a chance to try out the Martina A. Catella method and its Sing the World application, in order to ‘discover the voice, the world, its cultures and languages through song’. This original approach brings together technique, games and repertoires borrowed from traditional societies the world over for their learning values and beauty.
Adultes / seniors
Mónica Prada
This collective workshop proposes the discovery of a varied repertoire of songs in Spanish: from children's rhymes and popular nursery rhymes, to traditional songs from various Latin American countries.
MONTHLY DANCE CLASS
Nadia Makhlouf
Dancing with Nadia is a collective and personal dance experience! It’s dancing joyfully in a circle toward your inner light! Exploring your polarities to find unity!
Valentina Volonté
The workshop includes vocal and physical warm-up times, an ethnomusicological discovery of the songs through listening to the collections and learning a repertoire.
DATES : 27.09, 01.11, 24.01, 07.03, 25.04, 06.06
Sylvian Sahl i& Irmela Schmid
Dance workshop open to anyone who wants to discover Swedish dances. It is recommended to know how to turn the waltz and to have some habits of dancing in couple.
DATES : 25.09, 01.11, 24.01, 07.03, 25.04, 06.05
Jenny Demaret
These group lessons are for instrumentalists who have a good knowledge of their instrument. The work will be done mainly by ear, but scores will be made available if needed.
Individual and Group Workshops
Claire Rufenacht
As part of these workshops, tango is taught with an emphasis on its therapeutic benefits, with the goal of preventing certain conditions and/or supporting people living with them.
NEW COURSE
Rocco Sedano
Performed in pairs or in groups — chacarera, zamba, gato, escondido, or malambo — and accompanied by iconic percussion instruments such as the bombo and other drum-like instruments, these dance forms are distinguished by their specific rhythmic, gestural, and symbolic languages.
NEW COURSE
Clément Allistone
This art of recitation, known as padhant, is inseparable from the practice of the tabla. It reveals the tabla’s rhythmic complexity and plays a decisive role in the memorization process, particularly through the performative effect it entails.
Daeliya, Diego et Pouick
These drums are made of cow skin and heavy, hard carved wood. They’re played with thick sticks and the impact is impressive.
Salvatore Meccio et Massimo Laguardia
L'objectif de ce cours est la pratique d’ensemble, afin de faire danser aux sons des tambours. Les cours sont donné en alternance par Massimo Laguardia et Salvatore Meccio.
Private and group lessons. Coaching for singers and/or soloists
Pedro Ratto
Differents courses with the aim to learn on guitar tango and the different rhythms of Argentine music.
NEW COURSE
Amanda Cepero
This workshop explores the art of public speaking through the musicality of speech. Here, you’ll discover that the secret to making an impact lies not in the rigidity of a recited text, but in the tempo, cadence, pauses, and authenticity of your voice.
NEW COURSE
Shayan Mirzaei
The tombak and dayereh classes offer an exciting journey into the heart of Iranian rhythm and music. The instruction draws on a variety of teaching approaches, all aimed at a single goal: to develop a deep understanding of rhythm, acquire solid technical mastery, and discover its essential role in music.
Pannonia
Hungary has a rich inventory of traditional music that is respected well beyond its own borders. The dances are varied and are taught to a large public of all ages during workshops or live music dance evenings (tanchaz), which is another Hungarian tradition
NEW COURSE
Minh-Trang Nguyen
The đàn tranh, sixteen-string zither, is a traditional Vietnamese folk plucked instrument. It is in the same family as the Chinese guzheng, Japanese koto, Korean gayageum and Mongolian yatga. The T'rung is a traditional bamboo xylophone used by the ethnic minorities of the central highlands of Vietnam Tây nguyên.
Léonard Gremaud
Irish music boasts an enormous repertoire, so the accent will be placed on learning and interpreting the jigs, reels, hornpipes and polkas that are most often played and enjoyed today in jam sessions.
Video lessons on request
This workshop aims to introduce and familiarise participants with the vocal practice of dhrupad and its methods, which are based on practices derived from yoga and find their source in the Vedic tradition of reciting mantras.
Héloïse Fracheboud
Yodeling is the cry that becomes a melody, sometimes nostalgic and contemplative, sometimes joyful and festive, it can be "raw" as well as very sophisticated, with the same purpose: to express oneself, to share a part of what moves us, to materialize the unspeakable.
COURSES AND WORKSHOPS
Yves Donnier
Whether the music is classical and notated; whether it is part of an oral tradition or folk music; whether it is improvised, ancient, or modern—you will discover the fundamental elements, various techniques, and tips that will allow you to gradually develop your own instrumental playing style.