Avec le soutien :
The balafon is a very accessible instrument that can be played both in a group and as a solo instrument. Much like the ostinatos in classical music, it allows players to perform rhythmic patterns — whether simple or highly complex — in a repetitive manner. The magic of this music lies in the subtle interweaving of rhythms played by different balafonists, as well as in the harmonics that emerge from the wooden bars struck simultaneously.
Playing the balafon is at once relaxing, energizing, and hypnotic.
During this workshop, we will explore the rhythmic patterns of traditional songs from Burkina Faso. Balafons crafted by Burkinabé griots will be available for you to use, with the option to borrow them. The lessons are adapted to all learning paces—whether you progress quickly or at a more leisurely pace—and are suitable for participants of all ages. The workshop may also include an introduction to drum rhythms played to accompany the balafon.
Born into a family of Balafon-playing griots in Burkina Faso, Gofefo first made a name for himself in his home country before taking part in various musical projects in Europe. He has developed an educational program through the Educafon Association, where he shares some of the secrets of the music of his heritage, which sets the rhythm of life in his village and the region around Bobo-Dioulasso.
LIEU :
Espace Quartier Plainpalais, rue des minoteries 3, 1205 Genève
HORAIRES et DATES :
18h15 à 20h : 14 janvier, 4 février, 4 mars, 1 avril, 6 mai et 3 juin
Cours suivis d'une Jam africaine de 20h à 22h
TARIFS :
Cours individuel pendant la semaine possible sur demande (prix à discuter)
Balafon disponible en location
CONTACT :
Email : contact@educafon.ch
Téléphone : +41 77 459 78 84
Sepideh Nayemi
The aims of this course include discovering and developing natural grace, learning to express yourself freely in movement and enjoying dancing to the subtle rhythms and melodies of traditional Persian music.
COURSES AND WORKSHOPS
Yves Donnier
Whether the music is classical and notated; whether it is part of an oral tradition or folk music; whether it is improvised, ancient, or modern—you will discover the fundamental elements, various techniques, and tips that will allow you to gradually develop your own instrumental playing style.
Bijayshree Samal
Indian Classical Music is so rich that every human emotion, every restrained feeling in man and nature can be musically expressed and experienced.
Regular Workshops
Clotilde Rullaud
These regular workshops are a chance to try out the Martina A. Catella method and its Sing the World application, in order to ‘discover the voice, the world, its cultures and languages through song’. This original approach brings together technique, games and repertoires borrowed from traditional societies the world over for their learning values and beauty.