Traditional Persian music is the result of a rich history of evolution and exchanges around what is now contemporary Iran, which makes its music one of the most refined modal forms in the world. Improvisation holds a fundamental place within it and is based on a complex system involving a great number of essential melodies that make up its repertoire, the radif. Learning this subtle art requires the integration and articulation of these melodies through practice of one or several of its instruments, as well as the numerous techniques of ornamentation that belong to them.
This class offers training in traditional Persian music through introductory or advanced practice of two of its principal instruments: the târ and setâr lutes.
Classes are open to all – from beginners through to advanced – and adapt according to the needs of the student. However it is necessary to bring your own instrument (though Sogol can offer help in acquiring one if needed).
Depending on personal preferences, the vast Persian repertoire can be approached through the oral tradition or by musical notation, as is the current practice in Iranian conservatories.
Trained in Iran in the art of playing the târ and sétâr lutes, instruments emblematic of Persian classical music, Sogol Mirzaei quickly established herself as a soloist, composer, and member of prestigious ensembles, thanks to the sensitivity and elegance of her playing. She moved to France to continue her studies, where she obtained a Master's degree in musicology from Sorbonne University. Today, Sogol performs around the world, both as a soloist and with various ensembles, bringing her compositions and improvisations to the heart of the great Iranian tradition and contributing to its contemporary influence. Founder of the Ensemble Chakâm, she also collaborates with many other artists. She has performed with Orpheus XXI conducted by Maestro Jordi Savall, with Sowal Diabi alongside Mamani Keïta, with the Atine quintet, and with Iranian singer Sepideh Raissadat and Franco-Iranian percussionist Keyvan Chemirani. She has contributed to an eclectic discography, with albums such as Les vents brûlants, Les Persiennes d'Iran, Bostântchi, and De Kaboul à Bamako.
PLACE :
Ateliers d’ethnomusicologie
10, rue de Montbrillant - 1201 Geneva
TIMETABLE :
One per month :
Saturday : 10h-20h
Monday: 10h-20h
Prochaines dates : To confirm with the professor
FEES :
70 EUR 60 min lesson
110 EUR 90 min lesson
CONTACT :
T : sogolse@gmail.com
Sujatha Venkatesh
Bharat Natyam is the most ancient style of traditional dance in India. It is a difficult and complex dance, in which each movement of the body (abhinaya) and each hand gesture (mudra) holds symbolic meaning. What appears to be so fluid, graceful and easy demands lengthy training and daily practice.
NEXT DATES: October 4, November 1, December 6, January 10, February 7 & March 7 from 3:30 p.m. to 7:00 p.m.
Regula Büchler
Created to any style of music and from different traditions, Sacred Circle Dance invites us to celebrate life in all its richness. To dance, you don’t need any prior knowledge or a partner. There is no age limit.
Khalil Bensid
Gnawa music originated in the Maghreb from the cultural practices that Black African slaves brought with them. It is called Gnawa in Morocco, Diwan in Algeria, and Stambali in Tunisia and Libya.