Avec le soutien :
NEW WORKSHOP
Cali Flores & Sergio Valdeos
This group workshop offers a fun, dynamic, and hands-on introduction to the Afro repertoire of the Peruvian coast. Through group work, participants will explore the distinctive features of several traditional genres and the different ways to perform them.
NEW COURSE
María de la Paz
I invite you to join me on a musical journey exploring tango singing and Argentine folklore, where the body is treated as the true instrument: through a refined awareness of breathing, posture, and energy, the voice can be set free and find its authenticity—without tension and with the joy of singing.
NEW WORKSHOP
Daniel Renzi
This workshop offers participants the opportunity to revisit Andalusian flamenco and folk songs (such as the sevillana and the villancicos) as well as “aflamencado” songs from other repertoires by rearranging them in a polyphonic style and incorporating body percussion and instrumental percussion.
NEW WORKSHOP
Alex Jeanson
A proliferating multiplication of a single element, the repetition of overlapping or successive motifs—the multiple reduced to the singular—the singular articulated in multiple forms. It is this aesthetic that the workshop invites you to discover through music, using an instrument called the gamelan.
NEW COURSE
Sergio Valdeos
Come discover choro, samba, and bossa nova through the guitar! This course delves into guitar techniques for accompanying these well-known Brazilian rhythms through a fun and educational repertoire.
Dates for 2026: September 5 and 26, October 10 and 31, November 7 and 28, December 12; 2027: January 16 and 30, February 6 and 27, March 6 and 20, April 17 and 24, May 15 and 29, June 5 and 19
Maud Brulhart & Daniel Renzi
The goal of this workshop is to learn the basics of the bulería, to have fun dancing, and to get a simple introduction to improvisation.
NEW GROUP WORKSHOP
Yousra Dhahbi
This workshop, which focuses on oral transmission and is open to students of all levels—whether they are Arabic speakers or not—invites you to discover a vocal repertoire from the Arab world that spans different styles and eras.
NEW COURSE
Sébastien Lacroix
These North Indian music courses teach students about the system of musical modes known as ragas, as well as the techniques and repertoire of specific instruments such as the sitar, surbahar, esraj, and dilruba.
NEW COURSE
Daniel Renzi
This course is designed for students of flamenco dance who wish to deepen their knowledge and understanding of the codes and language shared by dance, song, and guitar.
Daniel Renzi
Anyone from 7 to 107 years old can learn to play the flamenco guitar—even beginners!
For beginners, learning the instrument starts with simplified melodic and rhythmic patterns, as well as a set of exercises.
NEW COURSE
Naomi Guerrero
An introduction to flamenco rhythm and movement. This class will help you engage every part of your body: from footwork to hip movement, from opening the chest to maintaining proper arm posture, from controlling your wrists and hands to holding your head high.
NEW COURSE
Olga Fiaes
Through this course on Eastern European Gypsy dances, Olga Fiaes invites participants to experience a powerful and joyful form of physical expression
NEW COURSE
Ava Arehsazan
The oud, historically known as the barbat in Iran, has deep roots in Persian musical culture and plays an important role in the region’s musical history. Persian musical traditions have also had a significant influence on the development of modal systems and musical vocabulary in neighboring cultures.
NEW COURSE
Ahmad Mohammadian
This course invites you to discover the kamantche, an iconic instrument of traditional Persian music. Open to both beginners and those with prior musical experience, it offers instruction tailored to each student’s background, pace, and interests.
NEW COURSE
Barzan Yassin
Oriental violin classes are designed to provide comprehensive and authentic training in this specific musical tradition, catering to students of all ages, from beginners to professionals.
Thomas Loopuyt
Turkish classical music features a large number of makam, or melodic modes, on the one hand, and a variety of rhythmic cycles on the other. The practice of usûl is a method that involves physically performing these rhythms while singing the melody, with the goal of systematically memorizing themes and songs.
NEW COURSE
Rocco Sedano
Performed in pairs or in groups — chacarera, zamba, gato, escondido, or malambo — and accompanied by iconic percussion instruments such as the bombo and other drum-like instruments, these dance forms are distinguished by their specific rhythmic, gestural, and symbolic languages.
NEW COURSE
Clément Allistone
This art of recitation, known as padhant, is inseparable from the practice of the tabla. It reveals the tabla’s rhythmic complexity and plays a decisive role in the memorization process, particularly through the performative effect it entails.
NEW COURSE
Amanda Cepero
This workshop explores the art of public speaking through the musicality of speech. Here, you’ll discover that the secret to making an impact lies not in the rigidity of a recited text, but in the tempo, cadence, pauses, and authenticity of your voice.
NEW COURSE
Shayan Mirzaei
The tombak and dayereh classes offer an exciting journey into the heart of Iranian rhythm and music. The instruction draws on a variety of teaching approaches, all aimed at a single goal: to develop a deep understanding of rhythm, acquire solid technical mastery, and discover its essential role in music.