The traditions of the ashik, the Anatolian bards whose names mean 'in love', go back to the Middle Ages. Today, this tradition is maintained by professional musicians, poets and performers who accompany their songs with various long-necked lutes: saz, divan, cura, selpe ... Both mystical and message-driven, ashik is the mirror of its people, as it translates their hopes, joys and suffering. Its language is constantly embellished with symbolic allusions to a reality, which for one reason or another, is often preferable to conceal. The repertoire that Ozan Çagdas and his friends offer follows the compositions of Yunus Emre, mystic of the 13th century, through to that of the contemporary poet Nazim Hikmet, while also passing by the work of the legendary Pir Sultan Abdal (16th century).
Ozan Çagdas was born near to Sivas in a central Anatolian county known for its wealth, musical tradition and poetry. He began playing the saz as a child and started his career out by participating in a singing competition in his home region.
Ozan has been based in Geneva since 1982, where he continues to develop his music career, notably by leading this workshop in Anatolian music, a melting pot of renewal and tradition.
PLACE :
Ateliers d'ethnomusicologie
10, rue de Montbrillant - 1201 Genève
TIMETABLE :
Wednesday 14h-18h
Thrusday 17h-20h
Sunday 14h-17h
FEES :
Price on request (collective workshop - individual course)
CONTACT :
T : 076 225 20 10
Email : ozan.cagdas@gmail.com
Private or video lessons on request
VIVIAN' ADAYA
Viviana sees Oriental dance as a unifying force in its traditional form, because it touches upon one’s deepest being. The dance remains both sacred and feminine for her. She recognises the therapeutic powers of dance and it is with this in mind that she transmits her knowledge.
Valentina Volonté
The workshop includes vocal and physical warm-up times, an ethnomusicological discovery of the songs through listening to the collections and learning a repertoire.
WORKSHOP
Frank Kane
The Republic of Georgia has a rich and varied tradition of polyphonic singing that is at least 1000 years old. The folk songs are an oral tradition and include genres such as work songs, wedding songs and healing songs.
Sankoum Cissokho
The traditional kora belongs to the African harp family off Mandinka origin. Its resonance box consists of cow skin stretched over a half gourd. 21 strings made of animal innards are attached to a long stick that stretches the length of this gourd.