Maud has been teaching flamenco dance to children from the age of 6 through to 12 for several years now and caters to different levels of ability.
Born in 1973 in Geneva, Maud grew up in a musical environment, thanks to a mother who played the violin. She began musical studies at the age of 7, piano at the age of 9 and then classical and contemporary dance with Claude Golovine. In 1989, she discovered flamenco with Ana la China and studied under her before becoming her assistant in 2002.
Having refined her style with numerous masters (Javier Cruz, Javier Latorre, Angelita Gomez, Juana Amaya, Mercedez Ruiz, Alicia Marquez, Carmen Ledesma, la Tati, Concha Vargas), Maud took to the stage. In 2006, she performed at the Grand Théâtre of Saint-Gall and then in December 2007 at Geneva’s Grand Théâtre.
Riche d'une expérience variée, Maud est en perpétuelle recherche d'expression et se produit régulièrement sur scène en Suisse, au Liban(en 2013) et en France(en 2014). Elle est membre fondatrice de la Cueva flamenca. Parallèlement, elle enseigne régulièrement aux ateliers d'ethnomusicologie et donne des stages à la Bulle d'Air.
PLACE:
Adem Maraîchers, 44 rue des Maraîchers - 1204 Geneva
SCHEDULE:
Wednesdays: 3.30pm to 4.20pm / 4pm to 4.50pm children's classes (7 to 10 years)
Wednesday: 5pm to 6pm children's classes (11 to 14 years)
Thursday: 5.30pm to 6.30pm - teenagers (14 to 18 years)
Saturday: adult workshops from 12 noon to 1:30 pm without guitar, and from 2 pm to 3:30 pm with guitar accompaniment, dates to be announced.
RATES:
Children's classes: 220.00 / teenagers' classes: 270.00 and flamenco workshops: 35.00.
Comments: adult workshops will be organized by palo theme according to the month: bulerias- tangos
CONTACT:
T : +41 (0) 78 724 25 61
Mail : maudbrulhart@hotmail.com
Shahab Eghbali
While the Daf is a large, framed drum, used to accompany Iran’s Kurdish music, it is also widely played across the Middle East and in Central Asia.
Sujatha Venkatesh
Bharat Natyam is the most ancient style of traditional dance in India. It is a difficult and complex dance, in which each movement of the body (abhinaya) and each hand gesture (mudra) holds symbolic meaning. What appears to be so fluid, graceful and easy demands lengthy training and daily practice.
Sankoum Cissokho
The traditional kora belongs to the African harp family off Mandinka origin. Its resonance box consists of cow skin stretched over a half gourd. 21 strings made of animal innards are attached to a long stick that stretches the length of this gourd.
Valentina Volonté
The workshop includes vocal and physical warm-up times, an ethnomusicological discovery of the songs through listening to the collections and learning a repertoire.